For oil paints

Golden Absorbent Ground is a high-quality white paint primer which, after drying, forms a highly absorbent substrate. The resulting surface is porous and resembles paper or raw cotton canvas.

Traditional, artistic oil primer. Used as an undercoat in oil painting. It compensates for unevenness of the surface, and is characterized by low absorption. Before painting, the primed surface should be perfectly dry. The ground consists of: slush chalk, titanium white, lithopone, polymerized linseed oil, linseed oil and balsamic turpentine.

Gesso white with an excellent level of pigmentation for maximum coverage. Dries very quickly, adheres perfectly to all non-greasy surfaces. After drying, it is matte and porous, which improves paint adhesion.

Gesso Blanc Lefranc Bourgeois is a soft white coating, used as a primer for all non-greasy fees (canvas, paper, stone, wood, plaster). It is universal for two paints, oil and other paints. Dries within 30 minutes.

Ready acrylic primer that does not require dilution or other additional treatments. The purpose of its help is to prepare porous, uneven, post-progressive painting with acrylic and oil paints (except for metallic shades of color).

Universal acrylic resin paint primer for oil and acrylic paints. It dries very quickly, sticking perfectly to all non-greasy surfaces. After Gesso dries, it is matte and porous, which improves the paint adhesion.

Liquitex Professional Super Heavy Gesso. A very dense white mass that allows the formation of structures. An excellent primer for the preparation of paint surfaces for acrylic paints on such substrates as canvas, wood or cardboard.

Liquitex Professional gray Gesso is an excellent primer for the preparation of paint surfaces for acrylic and oil paints on such surfaces as canvas, wood or cardboard.

Golden Gesso is a high-quality liquid acrylic primer, which is a universal painting base. It is flexible and can be applied in thin layers, adjusting to various textures and unevenness of the primed substrate. Capacity 237ml.

Golden Black Gesso is a high-quality liquid acrylic primer with a black color. It is flexible and can be applied in thin layers, adjusting to various textures and unevenness of the primed substrate. Capacity 237ml.

Transparent, light-resistant and aging-resistant primer for oil, acrylic, gouache and pastels. After drying, they formed a flexible, matte, slightly rough layer. If necessary, the product may be diluted with a maximum of 10% with water.

Fast drying oil primer. Warm white color of the paint based on linseed oil. Minimizes the risk of cracking in overlapping layers. The product tends to turn yellow. The foundation is ready to use and should be applied as thinly as possible. A turpentine substitute should be used as a diluent.

It is applied in painting, ceramics, paint, matches and textile industries. Dense, very viscous liquid with the consistency of fresh honey and colour from straw to light brown. Smell of clean  turpentine venetian  is very specific, herb and resin.

Odorless turpentine is primarily used to clean brushes and painting tools used for oil paints. It is almost a scorched-down varnish that is produced from the distillation of crude oil. It is a slightly volatile solvent and, compared to balsamic turpentine, is slightly weaker but also toxic and harmful to health.

White Spirit is a solvent with good dissolving power for oil paints and varnishes. It is a rectified distillate with an aromatic content below 20%. Suitable for cleaning brushes and palettes. capacity 150 and 250 ml.

High quality solvent for oil paints and alkyd paints, which can be used as a substitute for turpentine. This is the purest form of kerosene. The drying time of this product is slightly slower than turpentine, but has the same properties and quality

Double rectified turpentine oil by Roman Szmal. Obtained by distillation from high-quality coniferous resin.

Natural balsamic turpentine has a delicate, quite pleasant smell. Thinner used primarily to clean brushes and painting tools used to work with oil paints. Purified conifer resin. Colorless, toxic liquid.

Balsamic turpentine distilled from coniferous resins. Has high dissolving properties at high evaporation levels. Of all dissolved used the slightest yellowing at a time.

Solvent for oil paints. Green For Oil series not toxic, environmentally friendly. Almost odorless solvent for oil paints, which is especially recommended for people with sensitive smells, who do not tolerate the characteristic smell of turpentine. It has a wide range of applications: when added to paints, it dilutes their consistency, which reduces the drying time (while slightly reducing the gloss and color intensity).

A mixture of solvents with properties similar to turpentine oil. Mild fragrance. Dilutes oil paints, auxiliary oils and varnishes based on white spirit. Incompatible with alcohol varnishes.

Poppy seed oil - extracted from bright poppy seeds. Increases gloss, reduces brush marks, extends paint drying time. Very little yellowing better than linseed oil is suitable for mixing with bright colors.

Natural, refined linseed oil from Kruszpol available in various sizes. A classic medium used in oil painting, used to thin the paint and eliminate brush marks. Increases brightness and color saturation. Slows down drying time, slightly yellowing over time.

Miracle Medium von Michael Harding ist ein modernes, umweltfreundliches Malmedium, das eine Alternative zu traditionellen Lösungsmitteln wie Terpentin darstellt. Es ist ein biologisch abbaubares und geruchloses Produkt auf pflanzlicher Basis, das die Verdünnung von Ölfarben erleichtert und ihre Transparenz erhöht, ohne die Trocknungszeit zu beeinträchtigen.