Do pasteli

High-quality paper from a French manufacturer. The original surface with a honeycomb texture (obverse) and fine-grained (reverse). It has high flexibility, flexibility and susceptibility to sticking and unsticking without damaging the surface. Colored in mass, it maintains a constant color intensity regardless of whether the surface is saturated with water or glue. This acid-free paper has a high resistance to UV rays. Intended for pastels, crayons, charcoal, sanguine, decorations. It is great for gouache, acrylic and screen printing and collage works. Paper with a weight of 160g, available in sets of 10 sheets. The kits contain sheets of different colors.
 

160g paper with 50% cotton content. The high cotton content makes it durable and flexible. Original surface with honeycomb texture (obverse) and fine-grained (reverse). It is susceptible to sticking and unsticking without damaging the surface. Paper dyed in the mass.

Intended for crayons, pencils, carbon, sanguine, decorations. Is ideal for gouache, acrylic and silkscreen work and collage.

Coarse denim-colored paper with a weight of 250g. Perfect for various painting techniques. For acrylic, gouache, mascara, oil and dry pastels, pencils, as well as for collages. An ideal solution for cartoonists and painters of various techniques. Size 50x65cm.

Paint On Grain paper is a perfect proposition for cartoonists and painters using various techniques. White, textured, acid-free paper with a weight of 250g is an excellent base for oil and active paints, but mainly for acrylics, gouaches, temperaments, mascaras and dry and oil pastels.

Clairefontaine paint on grey green paper, weight 250 g, green and gray, 15 sheets, dimensions 50 x 65 cm. Universal mix media paper, suitable for painters and draftsmen using various techniques. It is ideal as a base for watercolors, gouaches, inks, felt-tip pens, pastels and pencils.

250g gray paper. Perfect for various painting techniques. For acrylic, gouache, mascara, oil and dry pastels, pencils, as well as for collages. An ideal solution for cartoonists and painters of various techniques.

Clairefontaine paint on lisse smooth with a weight of 250 g and dimensions of 50 x 65 cm. Plain white paper, 10 sheets. Universal mix media paper, suitable for painters and draftsmen using various techniques.

250g beige paper. Perfect for various painting techniques. For acrylic, gouache, mascara, oil and dry pastels, pencils, as well as for collages. An ideal solution for cartoonists and painters of various techniques. Size 50x65cm.

Paint On Noir 250g has a very deep shade of black, it is colored in mass, which guarantees abundant contrast in various techniques! It is quite thick so it is adapted to combine mix-media techniques such as pencil, charcoal, crayon, ink, marker and gouache.

Clairefontaine paint paper in 6 colors, 12 sheets in A1 format (59.4 x 84 cm). Universal mix media paper, suitable for painters and draftsmen using various techniques. It is ideal as a base for watercolors, gouaches, inks, felt-tip pens, pastels and pencils.

Paint on white paper is a great proposition for cartoonists and painters using various techniques. White, slightly invoiced, acid-free paper with a weight of 250g is a great base for oil and water paints, but first of all for acrylic, gouache, temper, ink as well as dry and oil pastels. Also works with crayons and pencils. Size 50x65cm.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative. Thanks to the delicate surface of the paper, rubbing colors is much easier. Pastelmat is a thick, acid-free paper with fine cellulose fibers. Very durable, retains all its properties, even when moistened or wiped extensively with an elastic band. The pages in the block are separated from each other by sheets of transparent paper.
The surface of the paper Pastelmat resembles fine-grained sandpaper and is the best substrate for dry pastels, coal, sepia, sanguine, sketch pencils, etc. Paper size A3, one color packed in reams of 5 pieces.

A paper that combines the features of watercolor and acrylic papers with those for drawings and pastels. The 250g grammage allows you to experiment by combining various techniques. White color slightly porous paper. Format 50x65cm and 25 sheets in a ream.

Renesans suede paper for dry pastels. It has densely compacted, short and even bristles that are arranged in different directions, thanks to which the pastels have greater adhesion with minimal dusting.

Velor paper for dry pastels, 130g, sold in reams of 5 transfers. On the one hand, the paper looks and feels like velvet.