Faber-Castell pitt pastels dry in a crayon

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative. Thanks to the delicate surface of the paper, rubbing colors is much easier. Pastelmat is a thick, acid-free paper with fine cellulose fibers. Very durable, retains all its properties, even when moistened or wiped extensively with an elastic band. The pages in the block are separated from each other by sheets of transparent paper.
The surface of the paper Pastelmat resembles fine-grained sandpaper and is the best substrate for dry pastels, coal, sepia, sanguine, sketch pencils, etc. Paper size A3, one color packed in reams of 5 pieces.

Stabilo CarbOthello dry pastels can be combined dry and rubbed with fingers or a hanging device to achieve the entire spectrum of artistic effects. External contours and entire surfaces can be lightened or illuminated with a white crayon.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative.

Embossed paper, produced on a drum machine, made of 100% cotton according to ISO 9706 "LONG LIFE". Traditional White - white, white, no optical brighteners. The paper is acid-free and resistant to aging. Decorated with water on the short side.