Koh-i-noor progresso aquarell woodfree watercolor pencil 4B

Stabilo CarbOthello dry pastels can be combined dry and rubbed with fingers or a hanging device to achieve the entire spectrum of artistic effects. External contours and entire surfaces can be lightened or illuminated with a white crayon.

The SMLT Professional Quality Bristol Paper Pad 308g 10 sheets has an extremely smooth, white and thick paper, which makes it a perfect block for markers, flaccers, brush ink painting, pen drawing and combining these techniques.

Da Vinci Cosmotop-mix B Series 438 watercolor brushes are a combination of Kolinsky Red Sable, Blue Russian Squirrel and Fitch (Black Sable) along with a small amount of synthetic hair. They meet the highest standards in the production of brushes. They have precisely shaped tips with high flexibility as well as an excellent water holding capacity. They have a short, varnished handle. The total length of the brush 19-26cm.

Pastelmat is an innovation on the dry paper market. The properties of the paper allow several layers of color to be superimposed, without supersaturation, and to significantly reduce dust generated during operation. It is not necessary to use fixative. Thanks to the delicate surface of the paper, rubbing colors is much easier. Pastelmat is a thick, acid-free paper with fine cellulose fibers. Very durable, retains all its properties, even when moistened or wiped extensively with an elastic band. The pages in the block are separated from each other by sheets of transparent paper.
The surface of the paper Pastelmat resembles fine-grained sandpaper and is the best substrate for dry pastels, coal, sepia, sanguine, sketch pencils, etc. Paper size A3, one color packed in reams of 5 pieces.