Media painting

White Spirit is a solvent with good dissolving power for oil paints and varnishes. It is a rectified distillate with an aromatic content below 20%. Suitable for cleaning brushes and palettes. capacity 150 and 250 ml.

The masking powder can be applied to the paper before painting. The areas covered with the powder will remain white, revealing the texture of the paper, similar to masking liquid. Powder-coated areas can be easily removed with an eraser and then re-painted with watercolors.

The measure for clean the old oil paintings.

 

Apply thick layer of product. After it has dried completely, the fluid turns into a compact and flexible mass.

Silicone oil is the key to creating dynamic cell structures in the pouring technique. Help create galaxy creations and cellular structures.

Odorless turpentine is primarily used to clean brushes and painting tools used for oil paints. It is almost a scorched-down varnish that is produced from the distillation of crude oil. It is a slightly volatile solvent and, compared to balsamic turpentine, is slightly weaker but also toxic and harmful to health.

Natural, refined linseed oil from Kruszpol available in various sizes. A classic medium used in oil painting, used to thin the paint and eliminate brush marks. Increases brightness and color saturation. Slows down drying time, slightly yellowing over time.

IMPASTO INTENSE WATER - can be mixed with any pigment in order to obtain any color of watercolors. Impasto is also a thickener for watercolor paints in tubes. It reduces color flow and improves gloss.

Venetian soap in flakes is perfect for washing paintings. It will also be used in the conservation and gilding industry, it can be used for the renovation of monuments and sacral buildings and in iconography. Venetian soap is gentle, does not foam and is 100% vegan. Contains no preservatives.

Natural linseed oil obtained from the highest quality linseed oil, refined and bleached. It changes the consistency of oil paints, increases transparency, fades traces, gives high gloss and delays drying. It tends to yellow out in time.

Acrylic medium used to dilute the acrylic paint can also be used to independently produce paints from dry pigments.

Easy Float 59 ml - medium for shading
Medium for shading with acrylic paints. Makes the paint more fluid without diluting the color. Dip the brush in the medium, squeeze the excess of the preparation, soak the brush in the paint and spread the paint on the palette deep into the bristles and then you can shade it.

Watercolors granulating fluid is a special liquid medium that gives an irregular, mottled or grainy appearance to watercolor paints, the pigments of which usually create smooth surfaces. Adding a granulation medium to the colors with pigments that are already granulating will further enhance this effect.

White Spirit (white spirit) is a solvent with good dissolving power for oil paints and varnishes. It is a rectified distillate with an aromatic content below 20%. Suitable for cleaning brushes and palettes.

Matte final varnish intended for paintings made with gouache or tempera. Creates a coating that protects against external factors. The product does not cause yellowing of colors. It consists of aldehyde resin dissolved in alcohol. Quick-drying varnish with a capacity of 100 ml.

Matte final varnish intended for paintings made with watercolors. Creates a coating that protects against external factors. The product does not cause colors to turn yellow and dries quickly. Varnish consists of aldehyde resin dissolved in alcohol. Capacity 100 ml.

A useful solvent for cleaning the airbrush when changing colors. It not only removes the remains of the used paint but also paints the interior of the airbrush. It can be diluted with 50% water if it is to be used to rinse away paint residues before changing the color.

Fuel liquid for installation and renovation of brushes. Tests for acrylic paints, water-based varnishes, adhesives and water-based products. Capacity 100 ml.

Impasto, to determine what effects brings medium effects to oil and alkyd paints, take into account the interest in structural effects. I have the same feature and source as Renesans oil paints, which is why I added them to them, increasing efficiency without affecting the color. light shine please.

Although very popular and extremely versatile, acrylic paints, as opposed to oil paints, have a much shorter drying time. This limits the amount and timing of corrections. Opposite to this problem came the Renesans company, creating a medium slowing the drying process of acrylic paints.

Liquid arabic gum, a pale liquid solution of gum arabic that increases the gloss and transparency of watercolors or gouache. Waterborne.

Double rectified turpentine oil by Roman Szmal. Obtained by distillation from high-quality coniferous resin.

Oil linseed siccative with salt cobalt and resin.

Almost completely odourless and colourless liquid. Strong thinner with a high degreeof evaporation. Ideal for use in closed rooms and for allergics and people sensitive to the smell of other thinners. 

STANDOLEJ WYSTALY - dilutes oil paint and reduces brush marks; sticky
Polymerised linseed oil is purified linseed oil polymerized by heating. Brings significant gloss, dilutes oil paint, reduces brush marks, and prolongs drying time.

Highly effective water-borne liquid for cleaning brushes, tools and accessories from oil and acrylic paints. Fast acting and biodegradable, used to soften and dissolve dry remains of acrylic and oil paints. Extends brush life.