Other Media For Oil Paints

Ready-to-use oil binder that allows you to easily prepare oil paint yourself. The binder and dry pigment should be mixed in a weight ratio of 1:1 to obtain a ready-to-paint oil paint. Only slightly yellowing. Also suitable for bright colors. Capacity 200ml. Contains: a mixture of vegetable oils, siccative, additives.

Szmal oil-resin medium is a cheap but very popular and effective product. It is dedicated to oil technology and thanks to its properties it effectively improves the painting process and improves the final result of the work.

Although oil paints have long drying times, it is sometimes necessary to lengthen it. The Winsor & Newton medium - oil made from the seedlings of the safflower, a plant from the Asteraceae family, is a great solution.

Solvent for oil, alkyd and acrylic paints is a high quality Winsor & Newton product. It is a great substitute for turpentine, white spirit and other solvents because it thoroughly cleanses paint residues from any paint utensils such as brushes, spatula, pallets and paint mixing containers.

Medium brush wash in a plastic jar with lid. 250 ml. Water-soluble, odorless brush cleaner after using oil and acrylic paints.

Oil-resinous - slow-drying oil is used to dilute oil paints and improve their fluidity and slightly accelerate their drying. Allows to obtain a glossy surface after drying.

Poppy seed oil - extracted from bright poppy seeds. Increases gloss, reduces brush marks, extends paint drying time. Very little yellowing better than linseed oil is suitable for mixing with bright colors.

Raphael soap for cleaning natural and synthetic bristle brushes. Removes paint residues, preserving the bristles' elasticity and resilience. A delicate fragrance, 100% natural based on honey. 100g cube.

Traditional medium based on fossil resin. It has an amber color, gives the painting a characteristic glassy gloss and delicately antique colors. It is highly transparent, dries within 2 hours, allows you to create very smooth and shiny coatings in the style of Flemish masters.

Xavier de Langlais egg matt medium - gives a velvety matte finish, reminiscent of tempera painting. Dilute the medium with water before adding oil paint. Adding the undiluted medium to the oil paint gives the effect of egg tempera.

Liquid medium dedicated for oil paints. Green For Oil series not toxic, environmentally friendly. Accelerates drying, gives a shiny finish. Medium useful in impasto technique, it can thicken paints.

Gel medium dedicated for oil paints. Green For Oil series not toxic, environmentally friendly. Accelerates drying, gives a shiny finish. Increases paint film strength.

Hydropower medium allows you to mix oil paints with water instead of turpentine or linseed oil. There is no need to use harmful solvents, and cleaning tools with only soap and water becomes easy. As for drying and varnishing, proceed as usual, as with any oil painting.

Painting paste that increases employment while maintaining the same consistency. It does not turn yellow and increases the strength, the final effect is glossy. It can be diluted with turpentine or white spirit.

A thick mass based on non-yellowing acrylic resin and powdered marble. After drying, it has a dull, smooth appearance. It is applied with a spatula and after drying it can be cut, scratched, sanded and colored.

A thick liquid based on a non-yellowing alkyd resin made from linseed oil. It will improve the degree of capital and depth and liters.

Alkyd-oil medium without solvents. A siccative medium that helps to speed up the drying time of oil paints and to obtain less visible brush marks. Non-yellowing, improves paint fluidity. 100ml capacity.

A soft paste used to increase the density of oil paints and deepen their matt finish. To obtain a consistency that can be spread with a brush, you can dissolve the paste in a small amount of unscented solvent. Can be applied to a dry oil painting as a wax varnish.

Made from dammar resin, refined linseed oil and pure, 100% beeswax (no paraffin or microcrystals), Williamsburg Medium wax can be used in moderation to thicken the paint and give it a short buttery texture. Increases transparency and dries to a satin shine.

Schmincke Transparent Gel is a transparent gel for oil paints that increases transparency and gloss and reduces the viscosity of paints. It does not contain solvents. Capacity 120ml.

Schmicnke Medium W is a low odor oil paint medium that converts traditional oil paint into a water-soluble oil paint. Increases shine and transparency. When wet, the colors may appear lighter or milky, and will revert to their original shade as they dry.

Schmicnke Mussini Medium 2 is a medium that delays the drying of oil paints, enables painting using the "wet on wet" method. It has a high oil and resin content and improves shine. Capacity 60ml.

Schmincke Mussini Medium 3 is a medium that accelerates the drying of oil paints, increases the effect of gloss and depth. Capacity 60 ml and 200 ml.

Matte wax varnish in a tube. Suitable for use in oil painting. A paste-like varnish based on beeswax, dammar resin and white spirit. The product is ready for use immediately after opening. The varnish should be applied to a completely dry image (8 to 12 months at the earliest). Apply a thin layer of the product with your hand or a lint-free cloth. After it is completely dry (about 24 hours), the surface with the varnish applied will be matte, in order to obtain a satin finish, it should be polished using a soft brush. Varnish in a 35ml tube.

Schmincke Oil Impasto is a pasty oil technique medium. It emphasizes the natural color and smooth character of the paint. It accelerates and supports even drying of the material, even after applying thicker layers.

Schmincke rapid malmittel is a fast drying medium for oil paints. In combination with paint, it gives it gloss and transparency, and also affects its consistency, which facilitates spreading it over the canvas.

Medium L is a resin-based product that is popular and appreciated among liquid alkyd media. After mixing, it perfectly improves the fluidity and spreadability of oil paints.

Ecological agent for cleaning brushes and other painting tools based on water and alcohol. It quickly dissolves the remains of oil and acrylic paints, which makes cleaning much easier.

A thick, white paste made of non-yellowing acrylic resin with the addition of granite powder. It dries quickly and hardens. It allows for perfect preparation of irregular surfaces. It is ideal for creating three-dimensional effects and bas-reliefs. It can be applied with a spatula or brush, it adheres to any substrate.