In liquid

Traditional final varnish, giving the paints brightness and uniform gloss. Prepared with the highest quality natural damara, designed for paintings painted in oil technique. Composition: Damar resin, balsamic turpentine.

Traditional ending varnish, giving the image a uniform matt gloss. Prepared from the highest quality natural damara, designed for paintings painted in oil technique. Composition: damar resin, balsamic turpentine.

Retouching varnish of the highest quality natural damara to protect mainly oil paintings but can be used for temper and acrylic. Also used by restorers.

High-quality retouching varnish from the renowned Sennelier company. Used as a temporary protective coating over dried oil paint. It allows for quick and easy application of subsequent layers. This universal varnish also allows you to restore the former quality of dried paints.

The traditional final varnish, giving the image of even a matt luster (the effect of egg shell) and a protective layer.

The traditional final varnish, gives uniform gloss image and a protective layer.

Talens Picture Varnish matt 003, capacity 75 ml, Oil Color. Varnish Final matt. Varnish to paints oil protects from oxidation, maintains and protects the image from the effects of moisture, dust, soot and other harmful chemicals in the atmosphere.

Final gloss varnish for oil paints protects against oxidation, preserves and protects the painting against moisture, dust, soot and other harmful chemical compounds in the atmosphere. The final varnish gives the image an even gloss and a protective layer. Composition: cyclohexane resin, turpentine.

Temporary protection of images made with paints oil and refresh faded (matt) places.

Used in conjunction of varnish with effect oldest. After 12-24 hours, since the imposition of varnish with effect oldest, when the area is already dry, can be imposed varnish bulging.

Provides high sealing and resistance to the coating and uniform surface gloss, protects against dirt and dust. Prepared with top quality resin. For oil paints, acrylic and oily tempera. Contains UV filter.

Very hard and durable sandarac resin varnish, ideal for the protection of wooden objects. As a varnish it creates a layer that perfectly protects the surface and gives a golden shine.

Dammar Varnish satin gives a large shell and a single semi-tightness. Protects against dirt and dust. For paint oil, acrylic and greasy tempera. Prepared with the highest quality resin and beeswax.

Final varnish very high quality. Valued because of the flexibility and the ability to remove the longer term.

Matte quick-drying varnish based on natural damar resin of the highest quality, designed to protect oil, acrylic and greasy paint. This colourless liquid perfectly protects the surface of the image by various contaminants and does not attract dust particles.

Varnish retoucher with top quality resin and white spirit to protect images made in different techniques. Can be used in conservation work. Varnish layer deepens tone and colour saturation. It gives a uniform surface gloss.

High-quality, traditional protective varnish that protects the surface and gives it a shine. The high degree of dissolved amber resin in tung oil makes it an excellent medium. 100ml capacity.

Transparent, colourless solution obtained from two solvents: white spirit and essential oil. Owing to this, the varnish has a shorter evaporation time, which allows for faster resumption of image processing. The function of this varnish is deep penetration of the pores of the image to eliminate the matte images created during the painting process.

Damar vernacular is one of the oldest products used to work with oil paints. Varnish is obtained from purified natural resin dissolved in turpentine. The product held for a long time in the container may leave a slight sediment on the bottom. But this does not in any way weaken its properties

Dense amber fluid. Apply a brush to a completely dry image. Gives an antique look. Gently tones hues, while protecting them.

The product contains petroleum distillate, mineral spirits, synthetic resin and UV filter. This Varnish is exceptionally smooth and transparent, it should be applied on a dry surface with a soft brush. It is advisable to lay the image when applying varnish in horizontal position to avoid streaking.

Glossy, almost non-yellowing, varnish based on natural resin for oil painting. Prepared from the best white palm resin from Palembang.

Varnish retouching facilitates the position of fresh oil on dry paint layers. May be used as a temporary variant for exhibition purposes.

The matt varnish dries to form a matte surface. It does not turn yellow, it can be removed with turpentine or white spirit. It can be used for oil and acrylic paints.

Glossy, almost non-yellowing, varnish based on natural resin for oil painting. Prepared from the best white palm resin from Palembang.