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Glossy, almost non-yellowing, varnish based on natural resin for oil painting. Prepared from the best white palm resin from Palembang.

Binding agent for moist brown used for painting all objects and in oil painting.
First apply a medium primer to the absorbent surface.

Glossy, almost non-yellowing, varnish based on natural resin for oil painting. Prepared from the best white palm resin from Palembang.

Silk-matte acrylic resin-free acrylic varnish to compensate for differences in the gloss of the paint surface.

Linseed oil boiled with oil-soluble siccatives. Excellent as a binder of painting media and paints of your own product. To add already oil paints added sparingly.
Dries faster than bleached oil, cold pressed oil and Standöl.

Ready-to-use oil binder that allows you to easily prepare oil paint yourself. The binder and dry pigment should be mixed in a weight ratio of 1:1 to obtain a ready-to-paint oil paint. Only slightly yellowing. Also suitable for bright colors. Capacity 200ml. Contains: a mixture of vegetable oils, siccative, additives.

A mixture of aggressive solvents for softening old, hard varnishes and paint layers. The agent is definitely stronger than turpentine oil. Apply a cotton swab on a small surface, carefully observing the agent's action.

Clear, double distilled turpentine oil of very high quality. Distilled from balsamic resin exotic conifer. Excellent as a diluent for oil paints, painting media and varnishes (except for alcoholic beverages). It also works as a damper, mastic and cyclohexane resin diluent.

Very effective detergent for brushes stained with oil or acrylic paint. Softens and dissolves dried paint residues. Longer soaking is necessary to dissolve the old hardened residue. Brushes can only be immersed into the height of the cap.

Glossy, non-yellowing varnish based on synthetic resin for oil paintings and artistic prints. It fills the matt surfaces. Creates a strong, elastic and durable layer.